Ten years at the wheel, and she still isn't bored of it.
Sally works from a garden studio, where the wild hedgerows, shifting skies and the nearby Jurassic Coast do most of the art direction. Nothing here is designed to look perfect. It's designed to look like Somerset.
She's spent the best part of a decade at the wheel. In that time the studio has turned out well over three and a half thousand pieces — mugs, bowls, vases, the odd fallen ceramic angel — and built a five-star reputation almost entirely on word of mouth.
The process is as much the point as the pottery. Clay is slow, messy and a little unpredictable, and Sally leans into that rather than fighting it. No two glaze pours land the same way twice, so regulars keep coming back just to see what's new on the shelf.
"Working with clay is a grounding, calming experience."
— Sally Kent
